Science: July 2007 Archives

Mother issues are a sign of a healthy child. That, at least, is the conclusion of a recent university study, which found that children who openly resist their mother's command reflect an emerging mature sense of self. Children who merely comply, however, exhibit a lack of self-confidence and a proclivity toward depression, traits likely to have unfortunate ramifications throughout their adult lives.

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Which raises an intriguing question about what the jewelry pictured here represents more generally about religious culture. It's a pendant of the Blessed Mother from the Synchronicity Foundation, a new age faith led by an initiated Vedic monk named Master Charles. MC claims to be experiencing unique visions of this divine figure, the maternal spirit that animates the world.

As Ellen Dissanayake astutely illustrates in Art and Culture, religion tends to embody values of maternal care-taking that have a distinct evolutionary advantage, particularly the importance of transcending a narrow sense of self. As intrinsic to our development as this is, what should we make of those who elevate the nurturing mother metaphor to the highest form of good? Are they creating a religion where the followers never grow up?

Handcrafted prison cross

The cross pictured above is not sold in any store. It is the work of a Texarkana prisoner, one of many made and either worn by the inmates or given away as gifts--sometimes even to the sheriff and their jailers.

This article from a local paper points to why these religious crafts are so meaningful to those who make them. From the standpoint of modern network analysis and cognitive science, prison is arguably one of the most least effective ways to go about reducing crime. Detachment and sensory deprivation breed social dysfunction. The culture of religious crafts in this Texarkana prison, however, engages the inmates at the most fundamental level of what it means to be human: they connect, transform and transcend.

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Elsewares recently featured this, the latest necklace in Anne Kiel's Curios series: "Meditation," a "reflective and tranquil image" of a person communing with nature. The light in the horizon; the spiraling tree of knowledge and life--the symbolic resonance is clear.

Yet nature has not always been viewed as a source of transcendental insight. Contrast the appealing imagery of "Meditation" with that of Tennyson's famous turn of phrase from In Memoriam:

Who trusted God was love indeed
And love Creation's final law
Tho' Nature, red in tooth and claw
With ravine, shriek'd against his creed.

Perhaps our image of natural harmony is as much a work of creative transformation as the city and machine.